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Literature Text
I closed my eyes and told him to come back to bed.
The room was stale with skin smell and half-burnt smokes.
I called out again and again. His name against the tip
of my name and running all the way down
to a rounded shaft, a hard “s” or a coarse,
rugged “u”. I closed my eyes and counted ten.
The long gray light came falling, little bits
of cotton fiber and particles of skin
suspended, sudden and ordinary,
then falling again. Slow things down.
Make it count. When he comes back in the room
tell him you love him. That his job will get better.
Say your classes are going well. That you love
the hair on his arms brushing against yours.
That his skin, soft, tight, lacquered over
in pine-sweet refrains, feels great.
Say you love him. That he is ocean
and pine tree and sawdust
and streetlight. That he makes you ooze love,
that he makes you lose love.
I closed my eyes and imagined rain in September.
The light was tender and closed around me
in a sound that I had learned to gain.
The room smelled of old hands, and worn sheets,
and a cold rain, and a torn street,
and a sense of loss without loss, as if
all the limits of our lives played out in lines
beyond a barred window of broken night
in a brief symphony of candied light.
The room was stale with skin smell and half-burnt smokes.
I called out again and again. His name against the tip
of my name and running all the way down
to a rounded shaft, a hard “s” or a coarse,
rugged “u”. I closed my eyes and counted ten.
The long gray light came falling, little bits
of cotton fiber and particles of skin
suspended, sudden and ordinary,
then falling again. Slow things down.
Make it count. When he comes back in the room
tell him you love him. That his job will get better.
Say your classes are going well. That you love
the hair on his arms brushing against yours.
That his skin, soft, tight, lacquered over
in pine-sweet refrains, feels great.
Say you love him. That he is ocean
and pine tree and sawdust
and streetlight. That he makes you ooze love,
that he makes you lose love.
I closed my eyes and imagined rain in September.
The light was tender and closed around me
in a sound that I had learned to gain.
The room smelled of old hands, and worn sheets,
and a cold rain, and a torn street,
and a sense of loss without loss, as if
all the limits of our lives played out in lines
beyond a barred window of broken night
in a brief symphony of candied light.
Literature
the ghost
I don't know what I'm waiting for,
because I am a ghost and yet
I sit on my hands and wonder
where you've been -
I walk the forest in circles,
the methodical crunch
of leaves beneath my feet
and I remember
that you made me feel small,
and alone. here I am, facing
this brilliant hue that is me and myself
and I am the ghost but somehow
you are haunting me.
Literature
Quiet
One day
I woke up to the sound of breaking.
The fire was outside my window
And the smoke streamed in over my head
And the sirens, oh, the sirens
The red and the blue and the red reflected
On grey and black and grey and death.
I thought about how my heart
Had ached and my lungs had burned
And I closed my eyes.
One day
I woke up to the sound of stillness.
The needle sunk in my wrist
And the blurriness clouded my vision
And the beeping, oh, the beeping
The red and the black and the red smeared across
The white and grey and white and nothing.
I thought about how my mind
Had ran and my muscles had atrophied
And I closed my eyes.
One day
I woke
Literature
The Past
To leave the past behind
is to gain wisdom for the future
never looking back only forward.
#showyourheart :heart:
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The title comes from the last line of Garret Kaoru Hongo's piece "Winnings." It's about love, obviously. Experiment with subject matter and exact rhyme.
© 2014 - 2024 TheGlassIris
Comments6
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When I first read this, I got the impression that it was about an abusive relationship where the woman(?) was imploring her man to come back to bed, all the things she thought she could say to stave off the abuse running through her mind.
The more I read it, however, I feel that initial interpretation is incorrect and that this piece is more about feeling life is at a dead end, our potential peaked, lost among the stresses of living, yet we still move forward.
Either way, I found this piece to carry beauty and sadness.
The more I read it, however, I feel that initial interpretation is incorrect and that this piece is more about feeling life is at a dead end, our potential peaked, lost among the stresses of living, yet we still move forward.
Either way, I found this piece to carry beauty and sadness.